#ArtByTai
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"Deep and darkly whimsical, Tai’s intricately detailed drawings envision an alternate universe in its post-apocalyptic throes. His world is inhabited by a menagerie of black-and-white beasts: warthogs, giraffes, crocodiles, bats, monkeys, mammoths and aliens. Tai’s animalistic art is avant-garde yet accessible and delightfully disturbing. Skulls, guns and gas masks on rabbits reflect the angst-ridden ethos of the modern era. Anarchy looms. Images comment on war, industry and environmental degradation through the peaceful strokes of an artist." - Fort Worth Magazine
Tai Taeoalii is a U.S. born Samoan/Dutch artist that grew up in the suburbs of Salt Lake City, Utah during the 1980s. He’s stated that growing up bi-racial in that environment potentially led to his self-identification of an outcast. Afflicted with his cultural identity angst, he experienced some turbulent teenage years, but was fortunate to discover “the arts” were the remedy for expressing his frustrations. Through his artistic explorations he realized his auto-didactic ability, leading to experimentation with a variety of art-forms, including graffiti, tattoo, music & film and though he received numerous awards for his accomplishments in filmmaking, no medium has captured and retained his affections as strongly as drawing with a ballpoint pen, resulting in it being his central focus for most of his career as an artist.
Over the last two decades Tai has curated an audience of nearly 1 million followers combined on social media platforms and he’s sold hundreds, if not thousands, of his original artworks worldwide. For much of his career he travelled with his wife and two children, demonstrating the versatility of ballpoint pen through the trafficking of
his artwork at galleries and art fairs all across the globe. For years Tai‘s artwork has maintained a prominent presence in cities like Chicago, Salt Lake City, Dallas, Detroit, Miami, Tucson, Minneapolis, and more.
At the behest of the 2020 Covid-19 pandemic, Tai's thriving art career was derailed, as were many others. With
his travel and show schedule eradicated entirely, Tai managed to utilize the time off to continue work on his nearly 7-year long passion-project, turning a delapidated 1851 home into his own studio and gallery in America's hometown of Hannibal, Missouri. The rigorous restoration was completed in March of 2022, and features Tai’s studio, workshop, full gallery, and a rentable AirBNB loft. The old pre-civil war era home, once left for dead, is now recognized as Art By Tai‘s Ol’ Blue Gallery and Guesthouse.
In 2021 Tai debuted his YouTube podcast called The DOD45 Show where he hosts a conversation with a special guest, while simultaneously creating a custom drawing for them. Past guests include Sage Francis, Buck 65, Atmosphere, Craola, Greg Lutzka and many many more.
In 2021 Tai released a children's book, co-created with his wife, Adrienne and since then has released several coffee table books including Book of Arms (178 pages of his tentacle-themed creations), INK’Taiber (over 100 pages of Tai’s Inktober-adjacent sketches between 2017 & 2021), and his latest Under An Hour: Vol. 1 (over 200 pages of Tai‘s doodles including commentary). All of Tai’s books are available at ArtByTai.com.
Occasionally, Tai hosts remote drawing sessions with his audience, entitled Drink and Draw With Tai. So if you ever want to learn how to draw like Tai, consider following him on Instagram, Facebook or YouTube @ArtByTai or go to ArtByTai.com for more detailed information.
“I have been drawing with a ballpoint pen since I was in grade school and music has always been the conduit for my expression, particularly by way of underground hip-hop. With the subconcious percolations of my life experiences, daily observations, a penchant for nostalgia and the pop culture of my youth, I’ve managed to utilize decades of self-taught techniques, cultivated with an aggressive work ethic, to create art that evokes an introspective experience. My creations spawn from an organic subconscious journey, manifested more by virtue
of my own self-evaluation and less of propagating my ideology.” - Tai Taeoalii
Please reach us at tai@ArtByTai.com if you cannot find an answer to your question.
A: My inspiration derives from music and the nostalgic memories of my turbulent teenage years. I’ve experimented with all kinds of art-forms including painting, tattoo, graffiti, music and film, but none of them have captured and retained my affections as strongly as the standard ballpoint pen has for over 30 years. Really, my style was cultivated from a mix of urban doctrines and an appetite for authenticity and abnormality.
A: Influence of my actual work ethic came from my father, but artistically Salvador Dali always inspired me. His work was my earliest influence. Even as a young kid I remember being stoked to see an artist consistently creating “outside of the box” art. As I got older my inspiration came more from people and their qualities as a person rather than their abilities as an artist. I’ve always appreciated people who are willing to explore, regardless of the outcome.
A: When I'm drawing, I prefer listening to instrumental-based music, but I also listen to a lot of craft hip hop. While my drawing playlist is eccentric & loaded with music from hundreds of different artists, I will always have music by Silver Mt. Zion, Godpeed! You Black Emperor, Portishead, Aesop Rock, and Bon Iver.
A: I enjoy creating album covers on occasion. I don't have a set price, but I'm fair. I usually charge a price for the design, and then a separate price for exclusive rights to the design. Most bands opt for just the design and that is usually sufficient. On a couple of occasions, after the band gained traction and became more popular and were making more money, they came back and bought the exclusive rights, which I'm okay with doing as well. If you're definitely interested in an album cover design, forward me some music and your album title. Most importantly, I've got to be inspired by the music in some way....after hearing the music, we can go from there.
A: I am honored that you consider me for your design, but I will not. Mostly because I just don’t have the bandwidth to take on commission work. Also, it doesn't service my style well. My drawing is very organic and self-evaluative. My work gets it's value from my pace & my experiences. Drawing an idea for someone, looses all of that. I really am honored that you'd tattoo yourself with my work and you're more than welcome to get any of my other pieces tattooed. You're also free to forward me your ideas and if I subconsciously start drawing from the ideas at some point, you can use that.
A: Without art, we'd be a society of primates throwing feces at one another
Add an answer to this item.A: Authentic, passion driven art. Work that makes you feel. I see a lot of that kind of work come from self-taught artists, i.e. street artists.
A: Working with a ballpoint pen is my absolute favorite. I'm really able to dive all the way in mentally, and I really like being able to do that.
A: Probably the most inspirational artist for me was Salvador Dali. Current artists that I’m fond of are Herakut, Erick Weir, Brusk, Phlegm, Dulk1, PEZ and Craola.
A: It's the only thing that I do that makes me feel real, rooted & in perfect balance.
A: I don't subscribe to that cliche. When I'm creating I prefer to be alone, but I don't ever feel lonely.
A: I don't care much for the elitists or the pompous attitudes many artists have. Other than that, I'm cool with whatever. I’m also currently suspicious of all the NFT influence on “artists” Not totally against it, not totally for it, as of February 2022, I am just suspicious of it.
A: Some kind of major museum installation that would contain all of my original pen drawings on giant white walls...I've also wrote a film about my Samoan heritage many years back, & would love to one day have the time & finances to produce & direct that.
A: I always appreciate when people immediately recognize my Dali influence but I prefer to stand alone.
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